Tue 16 Mar 2010
I recently returned from Bhubaneswar, India where I was studying and performing Odissi dance and teaching yoga to mostly dancers and musicians. Odissi is a classical dance that has its roots in the yogic temple rites of the tantrik priestesses of ancient Orissa or Kalinga. The dance was nearly lost during British rule because the sensual nature of the dance made the English uncomfortable.
Odissi has been reconstructed from existing traditions, the study of ancient texts like the Natya Shastra and from the study of temple sculptures. The Natya Shastra could be from 1500-3000 years old or even older according to some. It offers not only a general theory of aesthetics (often compared to Aristotle’s Poetics) it is also a detailed compendium of the technical details of the arts of dance, music, dramaturgy, costuming and all arts relating to the stage. It is often called the Fifth Veda. It describes performance as a kind of yoga or means of liberation (mokshya) for both performers and informed spectators.
This tradition of dance/music/theater/yoga has traditionally been open, unlike many other yogic traditions, to women, non-brahmins, and other “impure persons”. Though the city of Orissa is now largely Vashnaivite it was for many years a stronghold of tantrik Shiva/Shakti worship and there are a number of well-preserved temples from this period in Bhubaneswar, Puri, Konark and elsewhere. It was interesting to witness these temples with their many graphic sculptures not only depicting an acceptance of sexuality but celebrating its power in contrast to the pervasive shyness about sexuality in contemporary Indian society. It was a great gift to be learning the dance while living with a group dancers and feeling, at least momentarily, woven in to the spiritual fabric of their daily lives and practice. It seemed that many people had a practice with a strong spiritual focus or one which utilized dance and music as a means, but few people had a yoga practice which supported their physical well-being and complemented their other activities. So, I ended up being very much in demand as a yoga teacher – with students ranging from teenagers to a woman in her late 80’s. I was able to work in trade for room and board, dance study with teachers there, and a new silk costume! The overall experience was encouraging, invigorating and humbling. I can’t wait to go back in December!
Posted by: Douglas Ridings
Douglas will perform Odissi at 8 Limbs Capitol Hill on Saturday, May 15 prior to our scheduledd Kirtan with Gina Salá. He is also teaching in the 8 Limbs Yoga Immersion and will offer classes on Hindu Mythology and Home Practice.
This morning I sat to practice and it occurred to me that I had passed a milestone without noticing it. On October 13th I confronted a construction issue for the new 8 Limbs on
Gas Works Park will be a beautiful setting for yoga as artist and master kite flyer Seth Abramson launches 121 brilliant white kites into the air that will fly over the city all day long. Commissioned by the Credit Unions of Washington, the Kites Over Washington project is a moment of calm, created to give people a peaceful hiatus in the city. Join us to enjoy asanas in the park and experience this spectacular art project. The Kites Over Washington will also be the subject of an upcoming documentary art film. Please wear as much white as you can, 8 Limbs logos welcome but avoid other logos or patterns. You are giving filmmaker permission to use footage by participating in class.
I’ve decided to take some time off teaching to focus on my family and practice. When I came to 8 Limbs at the opening of the West Seattle location in 2005, I was based in a strong, dedicated practice of Ashtanga. It was the only yoga I had been doing for 10 years and I benefited so much from this practice.
My last morning class is August 27, Thursday, at 6:30am. To celebrate the present moment and what lies ahead for all of us in the future, this will be a benefit yoga class. Chaz Hastings, tabla player, and Brandon McIntosh, sarodist player, will accompany me in a live performance to the last class. I am donating my pay to the cause of helping dogs on chains with the amazing group, 